Born in 1976, in Tréguier, France
Lives and works in Brussels.

In performances, sculptures and installations, Béatrice Balcou creates situations offering innovative exhibition rituals that challenge our way of looking at and perceiving objects—especially works of art. Homing in on attentiveness to the materiality of the artwork and the behaviour of the viewer, she encourages us to broaden our field of vision in order to bring a fresh eye to value placed on art and the role it is assigned in contemporary life.

Her recent solo and dual exhibitions include L’Économie des apostrophes at La Ferme du Buisson Centre for Contemporary Art in Noisiel (2018), Béatrice Balcou x Yuki Okumura: double suicide at Kumagusuku at Kyoto Art Hostel kumagusuku in Kyoto (2018); Kazuko Miyamoto <> Béatrice Balcou at Exile gallery in Berlin (2017) and at L’Iselp in Brussels (2016); Walk in Beauty at Casino Luxembourg Contemporary Art Forum (2014); Calme, luxe et volupté at Le Quartier Centre for Contemporary Art in Quimper (2014); and Chaque chose en son temps at FRAC Franche-Comté in Besançon (2013).

Over the last few years her works have been featured in numerous group shows including Article 132-75 at Kunsteverein, Langenhagen (2019), Sculpter (faire à l’atelier) at FRAC Bretagne, Rennes (2018), Tes Mains dans mes chaussures at La Galerie Contemporary Art Center, Noisy-le-Sec (2017), Un-Scene III at WIELS, Brussels (2015), Plateforme de jeux at Centre Pompidou, Paris (2015) and Des choses en plus, des choses en moins at Palais de Tokyo, Paris (2014).

In 2018, she was laureate, with Yuki Okumura, of the French Institute’s residency at Villa Kujoyama in Kyoto, Japan. The works of Béatrice Balcou are part of the collections of FNAC Fonds National d’Art Contemporain, Paris; FRAC Corse, Corte; FRAC Franche-Comté, Besançon and FRAC Ile-de-France, Paris.

Read the essay by Vanessa Desclaux, in Zérodeux #78, 2016 (EN / FR)

Read the interview by Devrim Bayar & Zoë Gray, 2015
Page (EN/FR/NL)